“Using ancient techniques, such as basketry, I am trying to create a contemporary ethnological art that is closer to Aboriginal identity and that goes beyond cultural mixing. A question to answer — why should artefacts be left to scientists and art to First Nations artists when syncretism is possible?”
SYLVAIN RIVARD

Artist and ethnologist Sylvain Rivard has drawn upon his knowledge of ancient craft techniques in a work honouring the chief, author and teacher Henry Lorne Masta. A panel made of woven beechwood, punctuated with tinted and woodburnt signs, is a reference to Masta's Abenaki origins; objects hung on the panel recall key events in his life. Beyond any interpretation, this work is a perfect example of Rivard's constant concern with bringing practices typical of art crafts into the contemporary art world. What might first seem to be an ethnological showcase is actually an installation, a contemplative space from which emanates the artist's deep respect for a man who devoted his life to the Abenaki language and culture.